
China Galland
Author, lecturer and former wilderness guide whose book inspired the film.
Can an ongoing struggle in East Texas help heal a nation?
Two women, one Black and one white, rally a community to reclaim the right to visit their ancestors.
Love Cemetery in East Texas is nearly two hundred years old. For decades, the road to it has been padlocked, and the families who bury their dead there have been turned away.
Resurrecting Love follows the long fight to open that gate, and asks what it means to honor the dead in a country still reckoning with its past. It is a story of race, reconciliation, and the young people who are choosing to carry it forward.

Finalist, Documentary Feature Film Competition
Finalist, Documentary Feature Film Competition. Geneva, Switzerland.
Award winner.
Official selection. Screening at Mills College, Oakland, CA.
Screening in Oakland, CA.
Winter Park, FL.
World premiere. Atlanta, GA.
Unitarian Universalist Church of Berkeley, CA.

In 2003, two community leaders, Mrs. Nuthel Britton and Mrs. Doris Vittatoe, asked author China Galland to help them regain access to Love Cemetery. Her 2007 book, Love Cemetery, led to statewide hearings, and in 2009 Texas changed its law to penalize those who deny access to burial grounds.
The film picks up there. Students from Wiley College and Prairie View A&M clear the overgrowth. The community celebrates, then finds itself locked out again. Their story becomes a way into a larger one: the cotton wealth built on enslaved labor, and the unfinished work of repair.
“The riveting story of a remarkable effort to resurrect the dead.”Bill Moyers, on the book Love Cemetery

Author, lecturer and former wilderness guide whose book inspired the film.

Award-winning director behind Oceanic Productions in the Bay Area.

Award-winning television producer and owner of Alexis Yancey Productions, Dallas.

Actor, director and professor of theatre at Santa Clara University.

Peace and civil rights activist who has produced eleven feature films.

Editor of two episodes of Eyes on the Prize II; Motion Picture Editors Guild honoree.
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